{"id":130,"date":"2016-11-05T19:49:25","date_gmt":"2016-11-05T18:49:25","guid":{"rendered":"http:\/\/www.marionliotard.com\/?page_id=130"},"modified":"2016-11-12T09:59:48","modified_gmt":"2016-11-12T08:59:48","slug":"la-route-de-la-soie","status":"publish","type":"page","link":"http:\/\/www.marionliotard.com\/index.php\/spectacles-lyriques\/la-route-de-la-soie\/","title":{"rendered":"La route de la soie"},"content":{"rendered":"<p align=\"justify\"><span style=\"font-family: 'Gentium Book Basic'; font-size: 14pt;\"><span style=\"font-family: 'Gentium Basic';\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-128 alignleft\" src=\"http:\/\/www.marionliotard.com\/wp-content\/uploads\/2016\/11\/mars-2009-estampes-chinoise_500x500-300x225.jpg\" alt=\"mars-2009-estampes-chinoise_500x500\" width=\"300\" height=\"225\" srcset=\"http:\/\/www.marionliotard.com\/wp-content\/uploads\/2016\/11\/mars-2009-estampes-chinoise_500x500-300x225.jpg 300w, http:\/\/www.marionliotard.com\/wp-content\/uploads\/2016\/11\/mars-2009-estampes-chinoise_500x500.jpg 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Un moment de musique, de po\u00e9sie et de th\u00e9\u00e2tralit\u00e9 qui nous transporte dans des paysages, des odeurs, des couleurs, des sons lointains et imaginaires. Ce r\u00e9cital propose un voyage au travers des diff\u00e9rents orients fantasm\u00e9s par le courant orientaliste de la fin du XIX\u00e8me si\u00e8cle. Un programme de musique fran\u00e7aise tourn\u00e9e r\u00e9solument vers les autres cultures et leurs grandes richesses. Nous voyagerons du Sahara \u00e0 la Chine en passant par l&rsquo;Egypte, l&rsquo;Indon\u00e9sie ou m\u00eame la lointaine Colchide, terre d&rsquo;origine de M\u00e9d\u00e9e. Le voyage musical sera, lui aussi, riche de styles diff\u00e9rents (m\u00e9lodies, op\u00e9ras\u2026), les artistes n&rsquo;ont pas h\u00e9sit\u00e9 \u00e0 m\u00ealer aussi les \u00e9poques avec cet extrait de <\/span><span style=\"font-family: 'Gentium Basic';\"><i>M\u00e9d\u00e9e Kali<\/i><\/span><span style=\"font-family: 'Gentium Basic';\"> de <a href=\"https:\/\/lionelginoux.com\/\" target=\"_blank\">Lionel Ginoux<\/a>, superbe op\u00e9ra de chambre cr\u00e9\u00e9 en 2013.<img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-127 alignright\" src=\"http:\/\/www.marionliotard.com\/wp-content\/uploads\/2016\/11\/Be-ne-dicte-Roussenq.jpg\" alt=\"be-ne-dicte-roussenq\" width=\"108\" height=\"161\" \/><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: 'Gentium Book Basic'; font-size: 14pt;\"><span style=\"font-family: 'Gentium Basic';\">La soprano B\u00e9n\u00e9dicte Roussenq s&rsquo;est joint \u00e0 moi pour \u00e9laborer ce programme de r\u00e9cital.<\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"text-decoration: underline;\"><span style=\"font-family: 'Gentium Book Basic';\"><span style=\"font-size: large;\">1\u00e8re partie:<\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: 'Gentium Book Basic';\"><span style=\"font-size: large;\"><i><strong>L&rsquo;invitation au voyage<\/strong> <\/i> Henri Duparc<\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: 'Gentium Book Basic';\"><span style=\"font-size: large;\"><strong><i>La caravane<\/i><\/strong> Ernest Chausson <\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: 'Gentium Book Basic';\"><span style=\"font-size: large;\"><strong><i>La splendeur vide<\/i><\/strong> Camille Saint-Sa\u00ebns <\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: 'Gentium Book Basic';\"><span style=\"font-size: large;\"><strong><i>L&rsquo;\u00eele inconnue <\/i><\/strong>Hector Berlioz<\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: 'Gentium Book Basic';\"><span style=\"font-size: large;\"><strong><i>Madras <\/i>et <\/strong><i><strong>B\u00e9nar\u00e8s<\/strong> <\/i>extraits des <i> Quatre Po\u00e8mes Hindous<\/i> Maurice Delage <\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: 'Gentium Book Basic';\"><span style=\"font-size: large;\"><i><strong>Asie<\/strong>, <\/i>extrait de <i>Sh\u00e9h\u00e9razade <\/i>Maurice Ravel <\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"text-decoration: underline;\"><span style=\"font-family: 'Gentium Book Basic';\"><span style=\"font-size: large;\">2\u00e8me partie:<\/span><\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: 'Gentium Book Basic';\"><span style=\"font-size: large;\"><i><strong>\u00abDu trouble affreux qui me d\u00e9vore\u00bb<\/strong> M\u00e9d\u00e9e<\/i> Luigi Cherubini <\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: 'Gentium Book Basic';\"><span style=\"font-size: large;\"><i><strong>\u00abPlus grand dans son obscurit\u00e9\u00bb<\/strong> La Reine de Sabaa <\/i>Charles Gounod <\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: 'Gentium Book Basic';\"><span style=\"font-size: large;\"><strong>Pagodes<\/strong> extrait des \u00abEstampes\u00bb Claude Debussy <\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: 'Gentium Book Basic';\"><span style=\"font-size: large;\"><i><strong>\u00abDis-moi que je suis belle&#8230;\u00bb<\/strong> Tha\u00efs <\/i>Jules Massenet<\/span><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: 'Gentium Book Basic';\"><span style=\"font-size: large;\"><strong><i>M\u00e9d\u00e9e Kali <\/i><\/strong>extrait <a href=\"https:\/\/lionelginoux.com\/\" target=\"_blank\">Lionel Ginoux<\/a><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un moment de musique, de po\u00e9sie et de th\u00e9\u00e2tralit\u00e9 qui nous transporte dans des paysages, des odeurs, des couleurs, des sons lointains et imaginaires. Ce r\u00e9cital propose un voyage au travers des diff\u00e9rents orients fantasm\u00e9s par le courant orientaliste de la fin du XIX\u00e8me si\u00e8cle. Un programme de musique fran\u00e7aise tourn\u00e9e r\u00e9solument vers les autres&hellip; <a class=\"read-more\" href=\"http:\/\/www.marionliotard.com\/index.php\/spectacles-lyriques\/la-route-de-la-soie\/\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":30,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.marionliotard.com\/index.php\/wp-json\/wp\/v2\/pages\/130"}],"collection":[{"href":"http:\/\/www.marionliotard.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.marionliotard.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.marionliotard.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.marionliotard.com\/index.php\/wp-json\/wp\/v2\/comments?post=130"}],"version-history":[{"count":3,"href":"http:\/\/www.marionliotard.com\/index.php\/wp-json\/wp\/v2\/pages\/130\/revisions"}],"predecessor-version":[{"id":218,"href":"http:\/\/www.marionliotard.com\/index.php\/wp-json\/wp\/v2\/pages\/130\/revisions\/218"}],"up":[{"embeddable":true,"href":"http:\/\/www.marionliotard.com\/index.php\/wp-json\/wp\/v2\/pages\/30"}],"wp:attachment":[{"href":"http:\/\/www.marionliotard.com\/index.php\/wp-json\/wp\/v2\/media?parent=130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}